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6. Street work and communication
:
methodology and communication plan
If you have decided to embark on communication,
it will be necessary to conceive a communication plan. This is the battle
plan, the dashboard that will enable you to know permanently where you
stand and where you are going.
It consists of several points to
be studied :
- the field inventory which purpose
it is to look into the evaluation at starting point and into the situation
of the moment
- the general strategy which will
identify your objective, your targets, your messages
- the analysis and choice of tools which
will lead you to select the best channels of communication to reach your
target
- the operational plan which will
allow you to put your strategy into practice.
6.1 Draw up the field
inventory
It is good during a lifetime
to look back from time to time and examine the way already covered, the
successes and failures met, before looking towards the future and embark
on new actions.
Where communication is
concerned, the same approach is essential. It is an exercise one has to
carry out oneself internally, but which it is also useful to complete
by a small exterior task by questioning your communication targets.
Seen from inside
It is the time one will question oneself
about
- the past communication actions : what
kind of actions, with what result ?
- the present and future needs in communication
: in function of your objectives as association ?
- who was in charge of same: will be in
charge inside your organisation ?
- who were and will be your possible partners
and sponsors ?
- what means were implemented, what means
are available for the future ?
You can also find out (and
why not get your inspiration from it) how similar associations go about
it, how it is done in other countries.
Seen from outside
In order to get a more
objective view of the situation, it is in your interest also to contact
your targets (the journalists) and public opinion, asking them what they
think about your communication actions.
In fact, discrepancies
are liable to emerge between what you have perceived as result and the
perception your targets will have gained from it.
In order to take a better
measure of the impact from your communication actions, you could suggest
to certain of your targets to grant you a little time, submit to them
a succinct question list which you would let them have a few days in advance.
This is how we have processed
to prepare this guidebook. We have interviewed about sixty journalists,
youngsters, political authorities and other actors concerned in different
countries and they have opened their doors wide for us. Their remarks
and advices have helped us to better understand their way of thinking,
of making enquiries, of exercising their profession. It also gave us the
opportunity to get to know them personally. You will moreover find their
testimonies as you go through the pages of this guide
From these interviews one
main conclusion becomes apparent : many journalists prefer direct and
personal contact as a means of obtaining information, especially where
social topics are concerned. This pro-active approach of the journalists
can therefore turn out to be productive. For them same as for us.
Thanks to these personal
contacts, you can enlarge (or initiate) your network of press contacts.
It is indeed useful to constitute beforehand, and apart from urgent media
coverage, an address book of journalists with whom it is possible to remain
on good and regular terms.
6.2.
To define a communication strategy
6.2.1 Communication isnt something
you can do just like that
Because "He who
does not know which course to take will always have the winds blowing
from the wrong quarters", you should not set about it blindfold.
To communicate takes time and energy, demands a lucid strategy and the
results will not be there if you are not well prepared. Your communication
efforts could come out as a failure the journalists will have misunderstood
you, did not turn up, wrote nothing or even produce undesirable
effects the paper will not be favourable, the youngsters will feel
betrayed, etc.
To communicate is therefore not without
risk.
But first of all you have
to clearly identify your objectives. It is all right to communicate, but
to what purpose, to say what, to whom ?
This chapter goes through
a few key points you will have to keep in mind before embarking on a communication
action. More often, these questions belong to common sense. But too often,
one prefers to throw oneself immediately in the action, without having
previously asked the fundamental questions.
Besides, one must always
be "more or less" ready to reply to the questions of a journalist,
since the chosen moment is not always your responsibility. So is it that
a journalist has the possibility to call you without warning and to ask
you to react on the spur of the moment about a topical question in the
news.
6.2.2 Define the aims of communication
If you are convinced of the usefulness
of communication towards the media, it remains to define which are the
precise objectives.
Each one will have to put the question
and find the appropriate answers. These answers will sometimes be either
very general or more specific. They may possibly answer to a precise need
of the moment. They will develop as time goes by. They combine between
each other.
At this stage one should ask oneself the
following questions :
- What are our problems which could find
a solution (at least partly) if the information was covered in the media
?
Example 1 : our youngsters have a
bad reputation, which they do not deserve. Can we not use the media
to change this situation, so that the population gets to know them
otherwise than through negative prejudiced images ?
Example 2 : the city promised a shelter
for the homeless but after two years nothing has come of it. Should
one alert the local press and get them to put pressure on the public
authorities ?
Example 3 : Open house day in Antwerps
brothels, to debate about the realities of prostitution.
- Do you have projects that cannot be realised
unless you obtain outside private support, from the city, the commune,
the inhabitants, the schools ? The press could present your project and
in this way help you to find some sponsors.
- In another trend of thought, which are
the projects you are about to launch with your target public and which
could offer a "communication towards the media" aspect, the
latter being therefore integral part of the project right at the start.
Example 1 : propose to a local television
team to keep up with the various steps you are taking in order to
create a mini-foot field in the district (consultation of the youngsters,
architect plan, estimate of expenses, contacts with the city, etc.).
Example 2 : promote a play created
by the youngsters about racism.
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A few examples
of objectives offering opportunity to get in touch with the media
General objectives
Change the image
of the youngsters among the public at large, find financial support,
a public support for your association, integrate the youngsters
in the district, to restore confidence among the youngsters of your
association, improve the status of the street workers,
To make sure prostitutes
stories do not remain in the obscurity and vouch for an underestimated
kind of prostitution: street and male prostitution.
Specific objectives
Raise funds to create
a play ground, promote a show organised by the youngsters, organise
a street workers national day, react to an event, come up
against a problematical bill of law, etc.
Promote our the activities of our
organization among the public.
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The opportunity
to judge what stage one has reached
To communicate is
also useful for he who communicates. It is an opportunity to stand
still, to judge what one has achieved.
Pierre Schonbrodt,
Tele Brussels
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6.2.3 Communicate towards whom
?
Your final target is public
opinion, be it local, national or international. And the privileged means
to reach it, are the media. Direct contact is also possible but this is
more often only possible at local level.
This is why the media constitutes
your operational target.
But which media ? The daily
papers, the weekly papers, television, radio, Internet ? Inside these
different media, who are the journalists who cover your social sector
?
A choice will have to be made.
And to choose, it is necessary
to be a minimum aware of your media environment. Certain papers, magazines,
web sites, certain radio or television programs will after inquest turn
out to be possible partners : either because they have already treated
themes directly linked to your activity in the past, or because the social
profile of the media appears to correspond to what you seek.
You can also start by contacting
the journalist. Spot in your familiar media the journalists who have covered
social subjects close to your own or who seem to you open to a social
approach. One is sometimes surprised : a journalist of a sports magazine
could turn out to be your best ally for your project to create a football
team in your district
You can after that draw
up a list of media and journalists constituting a working basis. According
to a precise question justifying recourse to the media, you will go through
your list and will decide on the priority targets.
At first, it will probably
be difficult because you know nobody. But very quickly, the journalists
will have identified you. And, on condition your not toot much of "a
bore", you will find it easier to convince them to co-operate with
your association. It will be up to you to suggest interesting projects.
Among the potential targets
you have identified, some will appear more adequate to the action you
wish to highlight.
For instance:
- the journalists of the main dailies treating
social themes will be a good target to cover a conference attended by
numerous political and social personalities;
- on the contrary, the main television
channels are not very keen to cover conferences that are not very visual.
And the minutes are scarce. They will certainly do it for the big meetings
of political parties, but very seldom for a conference of an association;
- the local television will probably be
more interested;
- the national and local radios if you
know a programme which covers this type of theme;
- Internet : place on other sites a link
referring to your event.
With experience, you will
acquire certain reflexes and ask yourself right away, for instance : "who,
among the journalists I know, would accept to cover our event ? So and
sot will find the subject super, another one will not find it sufficiently
visual, a third one has already treated a subject for us last week, a
further one had expressed definite interest for a next occasion."
You start with a kind of checklist of the existing contacts. After
that you update with new contacts.
It goes without saying
that every medium has a different approach according to its power and
its geographic coverage.
International news agencies
such as Reuter, Agence France Presse or Associated Press are interested
in an issue only insofar as it can also be interesting for their subscribers
(who are media themselves). Except for significant events (preferably
international ones), you can forget about them.
National media are
more open to issues relating to social work. However, dont get it
wrong and miss your target. Top newsreaders appearing in the evening news
will probably not easily interview you about the quintessence of social
street work. On the other hand, a journalist in charge of the "society"
section of a daily newspaper might well carefully listen to you if you
have something important to communicate about.
At local level,
it is even easier. By definition, those media are interested in what happens
in their neighbourhood. Why not begin there ?
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Move public opinion
straight away
Nothing is better
than experience and direct contact to convey a message, build conviviality
or restore an image. A district activity will have much more impact
on the inhabitants than an important paper in the press.We
had for instance, in a district, a very bad relationship between
the shopkeepers and the youngsters, and frequent disputes occurred.The
street worker therefore gave preference to activities with a greater
visibility by organising, for instance, circus or dance performances
on the occasion of district festivities. And, to progress even further,
the youngsters and the shop keepers agreed to create a district
committee which, very quickly, turned out to be an excellent space
of dialogue allowing to realise in common constructive and useful
projects for the district (development, fairs,...).What
is true for a district is also true for a school or any other place
where various populations come into contact.
Edwin de
Boevé, Dynamo International, Brussels
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6.2.4 With what message?
Now that you have chosen your targets,
it remains to know what you are going to tell them. Which information
is it you wish to transmit? What is the news? Is it liable to be taken
up in a media?
For each one of your media actions, you
must clearly identify the message that is meant to reach the final reader/audience.
The message should consist in only a few words.
Example of message:
- "The homeless are not asking for
pity but for respect";
- "It is not because the youngsters
are in the street that they are "scoundrels"";
- "The street worker is the last resort
when everything else has failed";
- "You dont always have to take
youngsters at their word, but you should take them seriously"
The object of your media action will then
be to get your message through.
How do you get your message
through?
To achieve this, it is
not necessary either for the journalist or you to deliver the message
flat out. It would not be very convincing. It is the report as a whole
that has to demonstrate your message. It is the conclusion that the reader/audience
has to draw by himself after having read the article or seen the programme
on television that is important.
And to be convincing, it
will be necessary to prepare the field for the journalist. Make him meet
the youngsters, the witnesses (street workers, youth services, eventually
neighbours) who will bring public opinion to reconsider their prejudices:
"No, indeed, they are not all of them scoundrels.
They are even rather nice. It is true they have no other place to meet
apart from the street."
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Tell a story
People like to hear
a story. If you can propose a story that will illustrate the idea
you want to put forward, you are well started.
It is often by means
of a story, the portrait of a person, that the journalist will introduce
his subject:
- The theme of the
homeless will be approached via the extraordinary life of a doctor
who has become vagrant in two years time.
- The opening of
a new theatre in a former jail, will be treated by describing how
and with what difficulties this transformation of a jail into a
theatre has been achieved.
- A film on forest
fires retracing the day of young fireman X for whom it was his first
mission or of the old fireman for whom it was his last mission.
To resort to a story
makes a statement more human, adds emotion that the bare facts would
fail to obtain. Also it happens that a story will bring a little
suspense (are they going to succeed?) that makes the reader/audience
pay more attention.
The story should,
nevertheless, remain a pretext or the opportunity to convey a larger
message, otherwise one risks to fall into a simple news item without
any great interest for you.
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On the other hand, certain
tools can be very useful in your work, notably the one concerning the
process and neurological connections stating that every person gives privilege
to one or the other connection to understand and to communicate. This
is how certain persons are more Visual, others more Auditory or Physical
(the senses and the body). One speaks generally of the Olfactory connection
for anything related to taste or smell. A visual person will mainly use
expressions such as "I see", "it is clear", in his
vocabulary; an auditory, expressions such as "I say to myself",
"I hear that", "this talk makes sense to me"; the
physical will rather say, "I feel that", "I am in contact
with".
Other elements should be borne in mind
to improve communication.
- Although the world is real, we do not
act directly on this reality. Each one of us builds his own vision of
the world, and this image varies from one individual to another.
- One cannot not communicate, according
to Paul Watzlawick. One can talk or say nothing, whether one wants it
or not, any behaviour is communication.
- Meet the other person in his vision of
the world.
To establish and maintain the relation
with the person one is speaking to, begin by meeting him on his own field.
- Where efficient communication is concerned,
the result is more important than the intention. It is the reaction of
the person you are talking to which will tell you what real impact you
have on him.
6.2.5 Who is going to communicate?
Is every one inside your
association capable to communicate towards the media? Should it be the
task of a small team? A single spokesperson such as a press attaché?
Entrust communication to an association specialised in communication?
So many questions to answer.
It is important to find
out who in your association would be capable and interested to carry out
this mission. Certain persons have ideas, others are smooth talkers, others
yet are very good writers. Why not form a small communication cell for
your association or your collective of associations with a co-ordinator
appointed by the team?
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If many streetworkers
are replying that their job is not appropriately recognised, my
advice would support them with a good organization. Have always
someone such a press advisor workind side by side, knowing what
they are doing with the children, in order too select the most informations
to public it in the media. The press advisor must have a good contacts
list of the journalists in the area.
Alexandre
Barata, Politique Journaliste, Portugal.
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6.2.6 When should one communicate?
The advice is to communicate
regularly.
If you wait until a crisis
occurs, you will have to improvise, face persons you never met before.
It is a bad way of starting.
Example: all of a sudden
there is a riot in your district, the press hastens on the spot, you have
to answer questions put by journalists absolutely unknown to you and who
know nothing about either the district, or the youngsters or your work.
They give you generously three minutes to explain what you think of the
situation, between the police and the lord mayor. Be not surprised if
you cannot find any of your views in the report covering the event.
But if you had met the
journalist previously, at the time of an action led by your association
for instance, if he had from time to time received your news bulletin,
the situation would be quite different:
- The problem would already
be familiar to the journalist, thanks to your communication actions;
- He would already have
got in touch with you by phone as soon as he heard about the riot to ask
you what was going on;
- He would have retrieved
from his archives the documentation you would have forwarded to him previously
on the subject.
In so doing, you would have more chance
to see your point of view presented more objectively, better supported
than if you had not taken the initiative to communicate.
Avoid the overdose
The opposite excess is also counter productive.
To communicate too often tires the target. One ends by throwing everything
directly in the wastebasket without even looking at it.
When should one refrain from
communicating ?
If you are not yet ready,
if you have nothing special to announce, if your ideas are not sufficiently
clear, if you wish above all not to have the press meddle, it is of course
essential not to communicate.
6.2.7 Communicate at local, national,
European, international level?
Each media has a rather
definite geographical coverage. One should therefore not mistake the target:
- An action towards the
shop keepers of your district will obviously be suitable for a local media;
- But if you come out with
a completely new idea in your district, something never heard of in your
country (the super market puts free of charge at your disposal a warehouse
to serve as rehearsal space for the rap groups of your district), then
you will also interest the national press;
- If your warehouse gives
shelter every month to the hottest foreign rap groups of the moment, you
will interest the international media.
It is a question of adapting
ones target to the contents of your communication.
The impact also depends
on your position or on what you represent. An international collective
of street workers has more weight than a local association, and this gives
even greater credibility to the contents of your communication. What is
important is that these contents have a wider dimension than a mere district
incident.
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Let's speak to
each other
I think public opinion
is not informed because journalists are not informed
It is
not easy to deal with street workers job as it cannot be explained
in a short term, and it does not contain snapshots. Locally
the situation could be improved if street workers and journalists
started to speak to each other, because now they dont know
each other.
Interview of Francesco
Fabriani, Il resto del Carlino, Italy
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6.2.8 Integrate communication
into the action
A communication action, be it meant for
the press, the public authorities or the inhabitants of the district,
will often be about an action, a problem or an event to be created.
Consequently, why not think also in terms
of communication at the moment one conceives a project:
- Is it adaptable for communication, a
minimum visual?
- Is the time well chosen to communicate?
- To what extent will this communication
initiative be useful for the association, the public reached?
- Towards whom does one wish to communicate?
- Chose the right tool: Press release?
Visit on the field and invite a journalist? Press file? Direct contacts?
- What will be the budget?
- Who will be in charge?
- In other words, all the above strategic
questions already mentioned in the present chapter.
In itself, this communication stage could
also serve as an object of activity by your usual public. In that case
you kill two birds with one stone.
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Example:
Ask your public to
take an active part in the realisation of the information letter
of the association (writing, lay-out, distribution), in a press
documentation, in the organisation of a press conference, etc;
Initiation in computer
science: the youngsters create a press file (they search for the
relevant data, encode it.
Creation of a new
association by the youngsters or the inhabitants of the district
who will themselves explain how it works and what are the stakes.
A film festival on street children
will certainly mobilise the press to cover the event (types of films,
number of participants, themes of the films, etc.) but it will at
the same time be an opportunity to convey the message of what part
is played by the street worker (during an interview, via a press
file, or whilst having a drink between two films)? And this will
be the time to broaden the debate.
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Once again, what is required is that the
event which will attract the journalist (and the reader) be an excuse
to speak more at large, with deeper and "long term" views.
6.2.9 Communicate on what is immediate
and/or on the fundamental work: two different approaches?
The street worker tends
to think that his action is slow, aims the long term and therefore does
not interest the press on the look out for immediate viewpoints.
This is true and at the
same time not.
What is true is that the
journalist needs a hook, a fact, and a story that will entice him to write
a paper or produce a programme. He will look for something to report on.
What is false is that he
is only looking for that. A good journalist will base his work on a fact
or on a specific personality, but he will enlarge the framework to take
into account the theme and this is where your speech on the long term
will find a space.
It is up to you not to
limit yourself to what is sensational or to slogans. Push on doors already
open, declare what is obvious or howl with the wolves never has made things
progress. The street worker must be conscious of his position that has
to do both with solidarity and his difference with regard to his public.
Indeed, if it is only to say what so many others repeat so often plaintively,
one wonders what your contribution could be. It is by using this little
distance, this wise and different speech that you will be pertinent and
useful for the situation.
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Communicate,
yes but how none the less retain ones personality?
To work on the basics
and on the numerous facets of daily life is not always very spectacular
and the wish, if not the need, for the street worker to make his
profession better known, can sometimes bring about risky situations.
It is the case when
a journalist asks to accompany you on the field, or on your district
rounds. There is a great risk your public will feel forced to be
on stage and will not appreciate this media intrusion.
It is therefore
necessary to warn your public in advance and explain the meaning
and the usefulness of the initiative. It all depends of course on
the state of the situation; it happens quite often that in order
to preserve certain discretion and keep his efficiency, the street
worker turns down this type of media coverage.
In any case, your
public will only appreciate your comments if you speak in their
interest and by remaining true to how you act on a daily basis.
To lie, to exaggerate,
to disclose confidences and to speak to the detriment of ones
public must be absolutely banned. It is a slow process to gain someones
confidence but it doesnt take long to lose it.
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The
journalist is not your spokesperson
I got
treated of corrupted middle-class chap by an association
campaigning for lodgings. The report was about a squatted hotel
and I have given a portrait of the association that organised the
squat. They claimed I had done them a disservice. Of course, I had
not merely been their spokesperson, their loud-speaker, I had analysed
the situation in, I believe, an objective manner, but they did not
like it, since their objectives did not meet mine.
This is why the rules of the game should be set down right at the
start. And if one does not succeed in reaching an agreement, I prefer
to give up the idea.
Pierre
Schonbrodt, télé Bruxelles
Short term long term: the one can go with the other
The problem is the same between the notions of development
(long term) and humanitarian (urgent reaction) in the
world of development cooperation.
One has to fuel the journalist on the long term, but through concrete,
through short term. For instance, an exhibition of drawings exchanged
between European and African children will not directly solve the
problem of the Africans integration in Europe, but will permit
to mobilise the youngsters, to make the public and the political
world aware with regard to a concrete project, which comes within
the framework of a long-term strategy.
André
Zaleski, RTBF radio, Belgium
People
are not given enough information about the reality of street children.
We know that it is an " underground" secret world where
teenage boys and girls and even children have to work, that they
often suffer from mistreatment, violence and exploitation from their
parents or their substitutes, or are even forced to work as prostitutes.
The lack of a real home is part of normality for these children
who will never enjoy the rights and protection they need. The paradoxical
consequence of this ignorance among the public is that every one
believes he has the right solution for them. But in the same time,
everyone prefers to complain about these children and to reject
them.
Humberto
Duran Campoamor, Coordinador del Proyecto Niños de la Calle
y Farmacodependencia, Facultad de Psicología UAEM. Cuernavaca,
México
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6.2.10. Involve your target public?
How? Up to what point?
The users concerned constitute of course
the reason street worker exist. And the journalists are more than often
the ones who seek to meet them directly.
But be careful not to use them as instrument,
make use of them without their knowledge.
A preparation must be planned before meeting
a journalist. Generally it is always more interesting and efficient to
let ones public speak.
Help users to communicate on
their own? Train them?
This guidebook is first of all meant for
the street workers, but its contents could also be transmitted to their
public, no matter if it consists of young people or less young people.
Besides, every citizen should master a minimum of basic concepts regarding
communication. In order to understand the rules of the game and escape
from being a passive communication target but also, for the more active
ones, in order to be able to communicate.
For a street worker, it is also probably
the opportunity to create activities relating to communication. Not necessarily
towards the press, but towards the inhabitants of the district, the police,
the commune, the schools...
The few advices given in this guide can
easily be extrapolated for other persons close to the target publics and
the street workers.
Moreover, to set up communication actions
is rather interesting and amusing.
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"In our street
work, we prefer to let the youngsters speak, as in fact they are
best placed to speak about what concerns them directly. It was the
case when they created their own youth house and obtained the development
of a sports space in the very centre of the district. As street
worker, one remains vigilant, so that they dont find themselves
trapped in a fools game. This is how we refused with them
to take part in a direct television programme on the subject of
youth delinquency presented in a spectacular manner. This broadcast
went quite wrong moreover given the high tension, and it has finally
been to the detriment of the youngsters cause in general."
de Boevé
Edwin, Dynamo International, Brussels
The media see us
in a negative way; they are focused on a few attitudes (violence,
theft, misdemeanours). They present a subjective coverage, show
only the bad side of things and belittle young people. Policemen
are presented as superior to them and only their opinion counts.
Sometimes, there is a real lack of respect.
Zaki, Khalid
et Michaël, young people from Dynamo, Brussels, Belgium.
Of course we must
involve our audience, the children of the street. We need them in
order to clearly explain the background. We might be their ambassadors,
but above all we talk on their behalf. It is thus important to give
them the opportunity to directly express themselves as often as
possible. Acting, singing, dancing and circus activities all make
it possible to pass a number of messages about the street and, consequently,
to justify the action of the street workers who work there
Moreover, an interview has a more significant impact when a child
can express himself with his simple but convincing words. Participants
to any of our meetings do understand any group or committee of children
who have something to say and are given the floor. In general, these
children use such opportunities and take the floor to explain the
work of Chandrodaya.
Jean-Christophe Ryckmans,
Chandrodaya Shelter, Katmandu, Népal.
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6.2.11 Get the journalist interested
One should also consider the media value
of the information. Can this interest the public? One has to make the
effort of taking a step backwards and put oneself in the place of the
journalist or the man in the street. Your action must be attractive, out
of the ordinary, astonish, shake, and marvel...
Example 1: the announcement
of the opening of a new youth house is perhaps important for the youngsters
concerned, but as mere information, it is a bit meagre. If on the other
hand one hears this youth house has been created in a former police station,
one begins to arouse the journalists interest. If one says, moreover,
that the educator of this youth house is a former police officer and amateur
boxer, that he has put in a boxing ring and that a boxer school has been
created on the premises, the journalist will be all ears.
Example 2: an association
campaigning against racism, anti-Semitism and xenophobia had invited a
television journalist to come along to a dancing where a youth of foreign
origin was forbidden to enter. Altercation, usher intervention, etc. all
was filmed.
You will of course have
to be careful (but this will depend on the journalist one cannot
control everything) that the message you are keen on and which is the
reason of your communication action, is duly conveyed: "the youngsters
need a meeting space ad a place where they can have interesting activities:
sport for instance. Lets therefore multiply this experience",
"Racism is present in every day life, what is one waiting for to
respect the law".
There is nothing to prevent
you from warning the journalist about your objectives, from briefing him
on the fundamentals of your action in order to give a maximum of chances
to get your message over. But be aware that it is never a 100% guarantee.
The journalist remains master of his work. Hence the interest to know
the journalists sufficiently well: you will then be able to establish
a relationship based on mutual confidence and co-operate with them on
the long term.
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Give strength
See to it that you
give us contents, figures, above all visual stuff, especially for
a long report (for 30 seconds during the news on television, it
is not necessary).
Marc Preyat,
RTBF television, Belgium.
In schools and
in the sheepfold too
I'm sure everyone
would be interested to know more about a project in Toscany where
education was not only offered to young people in schools but also
in the mountains were some teenagers living, working as shepherds
and where a teacher organized lessons in the sheepfold.
L. Russon
Councelor for social policies at the Municipality of Sasso Marconi,
Bologna, Italy
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